Shankara was born in a Nambudiri Brahmin family at Kalady,
village in the state of Kerala in 788A.D. Young
Shankara proceeded northward in search of a Guru. He came to the banks
of Narmada where he met Govinda Bhagavatpada, disciple of Gaudapada. Shankara
requested him to initiate him formally into Sanyasa. The request was readily
granted. Shankara thereupon received instruction in Vedanta from Govinda
Bhagavatpada.
Hinduism was at very critical juncture in the middle of the 7th
Century, orthodox Hinduism, with its elaborate and confusing ritualism, with
its elaborate and confusing ritualism could no longer inspire the masses; even
the rich who conduct these expensive Yagnas and Yagas, did not feel any sense
of participation. Buddism had broken down into endless groups, each fighting with all the
others, and the enchantment of direct thought and simple ideals got lost in the
confusing melody of their involved
dialectics and noisy argumentations. It was at such a smouldering era of total decadence
and endless confusions, that we had the timely rise of a fresh national hope in
a young Kerala Brahmin, Adi Sankara. And soon this hope of giving Hindus a
clear philosophy, beaconing them back to the Upnishads and the general
consciousness of the entire nation, was fulfilled. With the Advaita Philosophy,
stemming forth from the gushing Sources of Knowledge, the Upanishad, Sankara
could reclaim the hopes of the community from the cobwebs of ritualism and give
to the Hindus a peep into the wholesome beauty of their own ancient culture.
Shankara was one of the sacred instruments through which the
Lord functions to maintain the universal rhythm and keep the world a healthy
field for the onward march of evolution. The Infinite will can readily play Itself
through such men of total identication with the Lord, and they alone are,
therefore, the most competent instruments for the Universal Law to accomplish
its divine purpose. To artists, their instruments are the most precious
possessions. They are well cared for, trimmed. Sharpened, cleaned and kept ever
tuned-up always, with diligent attention and soothing love. Lord Jagadeeswara also never spares His
choosen workers. Adi Sankara too was not to be spared from this Cosmic-law! He
too has to be re-strung and re-turned from time to time.
The discussions of the conference lasted several days. Mandan
Misra’s wife, Sarasa Vani, who was a very learned lady and who was held in
great respect by scholoars for her integrity and wisdom, was requested to be
the umpire. The wager was that if Sankara was defeated he should give up
Sannyasa and marry and settle down as an orthodox householder. If, however, Mandan
Misra’s was defeated he should give up his house and become a Sannyasa. Sarasa
Vani, with her powers bordering on the divine, gave two extraordinary garlands
for the disputants to wear and declared that who ever was defeated in argument
would find his garland fading, while the victor’s garland would remain fresh. And
it happened that Sankara’s garland remained fresh while that of Mandan Misra
faded. Mandan Misra
accepted defeat and was so changed that he now considered it a blessing to
follow Sankara as his Sannyasin
disciple.
During his wanderings, Sankara had a premonition that his
mother’s end was near. Remembering his promise to her, he went to her side,
losing no time. Though he was her son, he became her Guru now and enabled her
to meet her death with unshakable faith in God. The end came peacefully and
quietly.
After the obseueries of his mother were over, Sankara resumed
his travels. He visited Srirangam, Jambukeswaraam, Tirupati, and other places
in south. In Tiruvottiyur, near Madras, there is evidence to show that he
changed the mode of worship at the temple there by stopping animal sacrifices. Then
he proceeded north along the east coast. The Maths established by him have
continued to function through the centuries, at Kedarnath, Dwaraka, Sringeri,
Puri and Kanchi and the instructions of worship initiated by his in many
temples continue his traditions to this day.
No comments:
Post a Comment